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Renaissance English poetry was closely involved with affairs of state: some poets held high office, others wrote to influence those in power and to sway an increasingly independent public opinion. In this revised edition of his groundbreaking study, David Norbrook offers a clear account of the issues that engaged the passions of such leading figures as Sir Philip Sidney, Edmund Spenser, Ben Jonson, and John Milton, and provides introductions to a host of neglected writers.

For this edition David Norbrook has provided an extensive introduction which gives an overview of developments in methodology and research since the first edition in 1984, responds to some criticisms, and points the way to further inquiry. Footnotes have been updated to take account of the current state of knowledge, and a chronological table has been provided for ease of reference. Norbrook brings out the range and adventurousness of early modern poets' engagements with the public world.

This magisterial new history of seventeenth-century republican political culture sets key texts by Marvell and Milton in a richly detailed context, showing how writers reimagined English literary culture without kingship. The book draws on extensive archival research, bringing to light exciting and neglected manuscript and printed sources. Offering a bold new narrative of the whole period, and a timely reminder that England has a republican as well as a royalist heritage, it will be of compelling interest to historians as well as literary scholars.

The rediscovery in the fifteenth century of Lucretius' De rerum natura was a challenge to received ideas. The poem offered a vision of the creation of the universe, the origins and goals of human life, and the formation of the state, all without reference to divine intervention. It has been hailed in Stephen Greenblatt's best-selling book, The Swerve, as the poem that invented modernity. But how modern did early modern readers want to become?
This collection of essays offers a series of case studies which demonstrate the sophisticated ways in which some readers might...

Order and Disorder, the first epic poem by an Englishwoman, has never before been available in its entirety. The first five cantos were printed anonymously in 1679, but fifteen further cantos remained in manuscript, probably because they were so politically sensitive. David Norbrook, widely recognized as a leading authority on Renaissance literature and politics, has now attributed the work to the republican, Lucy Hutchison. In this prestigious scholarly volume, he provides a wealth of editorial matter, along with the first full version of Order and Disorder ever to be published.