Wyniki wyszukiwania:
wyszukanych pozycji: 5
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Franz Waxman's Rebecca: A Film Score Guide
ISBN: 9780810881365 / Angielski / Miękka / 2011 / 236 str. Termin realizacji zamówienia: ok. 30 dni roboczych (Dostawa w 2026 r.) Upon his arrival in Hollywood, Alfred Hitchcock began work on his first American film, an adaptation of Daphne du Maurier's best-selling novel. Produced by David O. Selznick and featuring compelling performances by Laurence Olivier, Joan Fontaine, and Judith Anderson, Rebecca became one of Hitchcock's most successful films. It was nominated for eleven Academy Awards and received the Oscar for Best Picture, the only Hitchcock work to be so honored. Without question, one of the reasons for the film's success is its ninety minutes of dramatic musical underscoring by Franz Waxman. In Franz...
Upon his arrival in Hollywood, Alfred Hitchcock began work on his first American film, an adaptation of Daphne du Maurier's best-selling novel. Produc...
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cena:
217,71 |
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Meaning and Interpretation of Music in Cinema
ISBN: 9780253016492 / Angielski / Miękka / 2015 / 328 str. Termin realizacji zamówienia: ok. 30 dni roboczych (Dostawa w 2026 r.) By exploring the relationship between music and the moving image in film narrative, David Neumeyer shows that film music is not conceptually separate from sound or dialogue, but that all three are manipulated and continually interact in the larger acoustical world of the sound track. In a medium in which the image has traditionally trumped sound, Neumeyer turns our attention to the voice as the mechanism through which narrative (dialog, speech) and sound (sound effects, music) come together. Complemented by music examples, illustrations, and contributions by James Buhler, Meaning and... By exploring the relationship between music and the moving image in film narrative, David Neumeyer shows that film music is not conceptually separa... |
cena:
135,41 |
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Meaning and Interpretation of Music in Cinema
ISBN: 9780253016423 / Angielski / Twarda / 2015 / 328 str. Termin realizacji zamówienia: ok. 30 dni roboczych (Dostawa w 2026 r.) By exploring the relationship between music and the moving image in film narrative, David Neumeyer shows that film music is not conceptually separate from sound or dialogue, but that all three are manipulated and continually interact in the larger acoustical world of the sound track. In a medium in which the image has traditionally trumped sound, Neumeyer turns our attention to the voice as the mechanism through which narrative (dialog, speech) and sound (sound effects, music) come together. Complemented by music examples, illustrations, and contributions by James Buhler, Meaning and... By exploring the relationship between music and the moving image in film narrative, David Neumeyer shows that film music is not conceptually separa... |
cena:
362,84 |
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The Oxford Handbook of Film Music Studies
ISBN: 9780195328493 / Angielski / Twarda / 2013 / 704 str. Termin realizacji zamówienia: ok. 30 dni roboczych (Dostawa w 2026 r.) Music has been an integral part of film exhibition from its beginnings in the late nineteenth century. With the arrival of sound film in the late 1920s, music became part of a complex multimedia text. Although industry, fan-oriented, and scholarly literatures on film music have existed from early on, and music was frequently among the topics discussed and disputed, only in the past thirty years has sustained scholarly attention gone to music in visual media, beginning with the feature film. The Oxford Handbook of Film Music Studies charts that interdisciplinary activity in its...
Music has been an integral part of film exhibition from its beginnings in the late nineteenth century. With the arrival of sound film in the late 1920...
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cena:
751,08 |
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The Oxford Handbook of Film Music Studies
ISBN: 9780190250591 / Angielski / Miękka / 2015 / 698 str. Termin realizacji zamówienia: ok. 30 dni roboczych (Dostawa w 2026 r.) Music has been an integral part of film exhibition from its beginnings in the late nineteenth century. With the arrival of sound film in the late 1920s, music became part of a complex multimedia text. Although industry, fan-oriented, and scholarly literatures on film music have existed from early on, and music was frequently among the topics discussed and disputed, only in the past thirty years has sustained scholarly attention gone to music in visual media, beginning with the feature film. The Oxford Handbook of Film Music Studies charts that interdisciplinary activity in its...
Music has been an integral part of film exhibition from its beginnings in the late nineteenth century. With the arrival of sound film in the late 1920...
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cena:
233,12 |
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