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Greece and Britain Since 1945 has contributions from leading academics, journalists, novelists, and public servants. Subjects covered include: literature by Greek writers in English translation; the work of the British Council and international aid agencies; and television series set in...

Inanimation is the third book by author David Wills to analyze the technology of the human. In Prosthesis, Wills traced our human attachment to external objects back to a necessity within the body itself. In Dorsality, he explored how technology is understood to function behind or before the human. Inanimation proceeds by taking literally the idea of inanimate or inorganic forms of life. Starting from a seemingly naive question about what it means to say texts "live on" or have a "life of their own," Inanimation develops a new theory of the...

A stunning photographic compilation showcasing Audrey Hepburn's iconic career in the 1950s--the decade that solidified her place as one of the world's greatest stars in film and fashion.

Devoted to her most influential decade, Audrey: The 50s brings together in one volume the allure and elegance that made Audrey Hepburn the most iconic figure in modern fashion history. Photographed during the early days of her career, both on the sets of Roman Holiday, Sabrina, Funny Face, and other classic films, and in fashion photo shoots by top photographers who adored and immortalized...

Scientology is largely overlooked in major texts about the life and work of William S. Burroughs, author of some of the most notorious literature of the 20th century. Its importance in the creation of the Cut-up Method and Burroughs' view of language as a virus is undermined by the omission of details regarding his interest in the religion over the course of a decade - certainly the most creatively fertile period of his life. Instead, biographers and critics tend to focus on his other obsessions in the realm of fringe science, and on the period during the early 1970s when Burroughs left...

In this highly original book David Wills rethinks not only our nature before all technology but also what we understand to be technology. Rather than considering the human being as something natural that then develops technology, Wills argues, we should instead imagine an originary imbrication of nature and machine that begins with a dorsal turn-a turn that takes place behind our back, outside our field of vision.

With subtle and insightful readings, Wills pursues this sense of what lies behind our idea of the human by rescuing Heidegger's thinking from a reductionist...