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This book provides an original account of Emerson's creative debts to the British and European Romantics, including Coleridge and Carlyle, firmly locating them in his New England context. Moreover this book analyses and explains the way that his thought shapes his unique prose style in which idea and word become united in an epistemology of form.

The first book-length study of Norman O. Brown, The Resurrection of the Body brings an order beyond "Western Culture" to the subjects that make up Brown's field of engagement, subjects as diverse as Classical Studies, Philosophy, Philology, Psychoanalysis, Theology, Literature, History, and Marxism. For Brown, each of these subjects is in a very real sense an emanation of the body; that is, Western Culture is the body's attempt to resurrect itself. Examining Brown's works from Hermes the Thief to Closing Time, David Greenham illuminates Brown's fascinating signature style of collage,...