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Eric Richards was living as close to a normal life as one could hope for. With a successful excavation business, Sara, his gorgeous archeologist wife, and twin five year old boys, Michael and David, life was good. That was until he would be confronted with a decision to join in a fight that was not his own. A war had raged for ages behind the veil of this world. Forces greater than they could fathom would clash once again. The fate of all mankind left in the hands of only a few. Only their love would be greater than the darkness that faced them.

David Gere, who came of age as a dance critic at the height of the AIDS epidemic, offers the first book to examine the interplay of AIDS and choreography in the United States, specifically in relation to gay men. The time he writes about is one of extremes. A life-threatening medical syndrome is spreading, its transmission linked to sex. Blame is settling on gay men. What is possible in such a highly charged moment, when art and politics coincide? Gere expands the definition of choreography to analyze not only theatrical dances but also ACT-UP protests and the unfurling of the Names Project...