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Opening doors, dreaming awake, tracing networks of music and meaning, Marlatt's poetry stands out as an essential engagement with what matters to anyone writing with a social-environmental conscience. Rivering includes poems inspired by the village of Steveston where, before the war, a Japanese-Canadian community lived within the rhythms of salmon on the Fraser River delta. Also gathered into Rivering: lesbian love poetry from Touch to my Tongue; a transformance of Nicole Brossard's Mauve; passages from The Given, winner of the 2009 Dorothy Livesay Poetry Prize; a traditional "Kuri" song from...

Daphne Marlatt’ s work has been described as including “ such acuity of hush and cadence,” creating “ sound that is space inhabiting her body, becoming ours” (Erí n Moure). Sina Queyras has described her as “ a singular voice in Canadian poetry,” which is undoubtably true, yet we think she is a singular voice in all poetry of the 20th and 21st Centuries.