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In early June 1943, James Eric Swift, a pilot with the 83rd Squadron of the Royal Air Force, boarded his Lancaster bomber for a night raid on Munster and disappeared. Widespread aerial bombardment was to the Second World War what the trenches were to the First: a shocking and new form of warfare, wretched and unexpected, and carried out at a terrible scale of loss. Just as the trenches produced the most remarkable poetry of the First World War, so too did the bombing campaigns foster a haunting set of poems during the Second.

In researching the life of his grandfather, Daniel Swift...

The complete Dream Songs-hypnotic, seductive, masterful-as thrilling to read now as they ever were

John Berryman's Dream Songs are perhaps the funniest, saddest, most intricately wrought cycle of poems by an American in the twentieth century. They are also, more simply, the vibrantly sketched adventures of a uniquely American antihero named Henry. Henry falls in and out of love, and is in and out of the hospital; he sings of joy and desire, and of beings at odds with the world. He is lustful; he is depressed.
And while Henry is breaking down and cracking up...

A brilliant and fiercely pitched sonnet cycle about love: at once passionate, forbidden, and doomed

John Berryman was an unconventional poet, but he must have surprised even himself when, in his thirties, he found he was suddenly compelled to write sonnets. It was an unusual choice--even an unpopular one--for a poet in a midcentury American literary scene that was less interested in forms. But it was the right choice, for Berryman found himself in a situation that called for the sonnet: after several years of a happy marriage, he had fallen helplessly, hopelessly in love with...

A wild, masterful Pulitzer Prize-winning cycle of poems that half a century later still shocks and astounds
John Berryman was hardly unknown when he published 77 Dream Songs, but the volume was, nevertheless, a shock and a revelation. A "spooky" collection in the words of Robert Lowell-"a maddening work of genius."
As Henri Cole notes in his elegant, perceptive introduction, Berryman had discovered "a looser style that mixed high and low dictions with a strange syntax." Berryman had also discovered his most enduring alter ego, a paranoid, passionate, depressed, drunk,...