Wyniki wyszukiwania:

When Buck Schatz, senior citizen and retired Memphis cop, learns that an old adversary may have escaped Germany with a fortune in stolen gold, Buck decides to hunt down the fugitive and claim the loot. But a lot of people want a piece of the stolen treasure, and Buck's investigation quickly attracts unfriendly attention from a very motley (and murderous) crew in Daniel Friedman's Don't Ever Get Old, nominated for an Edgar Award for Best First Novel.

For several decades, the orthodox economics approach to understanding choice under risk has been to assume that each individual person maximizes some sort of personal utility function defined over purchasing power. This new volume contests that even the best wisdom from the orthodox theory has not yet been able to do better than supposedly naive models that use rules of thumb, or that focus on the consumption possibilities and economic constraints facing the individual.

The authors assert this by first revisiting the origins of orthodox theory. They then recount decades of...

DON'T EVER GET OLD was one of mystery-publishing's biggest critical successes, earning starred reviews from every major trade publication, garnering nominations for the Edgar, Thriller, and Anthony awards, and winning the Macavity Award for Best First Novel. The producer of four Harry Potter films and the Sherlock Holmes sequel, Lionel Wigram, is set to produce the film version.

In Daniel Friedman's new novel, set in Memphis, Tennessee, and four months after the events of DON'T EVER GET OLD, eighty-eight-year-old Buck Schatz is reluctantly coming to terms with the fact that he can...

This collection of essays defines and explores American theatres that consciously appealed primarily to workers. The scope of the book extends from the 1830s to the 1980s. Different authors focus on how various plays related to the audience as a class, the historically dynamic interaction between spectators and actors, and why certain plays gained popularity. The collection encompasses essays concerning New York theatre in the 1830s and 1840s, Pittsburgh theatre in the 1870s, various immigrant productions of the late nineteenth and early twentieth century, the politically radical theatre...