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For Shakespeare and Shakespearean adaptation, the global digital media environment is a "brave new world" of opportunity and revolution. In OuterSpeares: Shakespeare, Intermedia, and the Limits of Adaptation, noted scholars of Shakespeare and new media consider the ways in which various media affect how we understand Shakespeare and his works.

Daniel Fischlin and his collaborators explore a wide selection of adaptations that occupy the space between and across traditional genres - what artist Dick Higgins calls "intermedia" - ranging from adaptations that use social...

Preface by Paul Gross

"Hamlet is bottomless, deep beyond our capacity to compass, navigating the most guarded mysteries of our lives." --Paul Gross

Shakespeare's longest and perhaps most influential play probes the darkest reaches of human life: despair, powerlessness, uncertainty, and mortality, as well as the larger political issues of corruption, iniquity, and treason. Daniel Fischlin's groundbreaking introduction explores not just the workings of the play itself but also how the spectral presence of "Hamlet" in Canada speaks to ineffable questions of political identity,...

Daniel Fischlin, General Editor

Preface by Judith Thompson

In an age of power politics, Donald Trump and ethical depravity, Macbeth remains one of the most compelling dramas of overwhelming political ambition in the English language. The events that follow Macbeth's "ambition without conscience" can still shock a modern audience.

This new edition includes an original playtext and extensive notes. Other features of the Shakespeare Made in Canada series include character and plot synopses, a note on the text, and tips on reading Shakespeare. A new preface by...

Human identities unravel under the light of the Midsummer moon . . .

Shakespeare's popular comedy probes both the light and the dark side of desire, as unseen beings manipulate individual perceptions in the forest beyond the civilized world. Andrew Bretz's thought-provoking introduction to the play reminds us of the early modern concept of fairies: far from the ethereal creatures of the Victorian imagination, we see them here as amoral, energetic, and dangerous.

While fairies may have come and gone in the course of 150 years of Canadian productions of A Midsummer...