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In Members of the Tribe: Native America in the Jewish Imagination, author Rachel Rubinstein examines interventions by Jewish writers into an ongoing American fascination with the "imaginary Indian." Rubinstein argues that Jewish writers represented and identified with the figure of the American Indian differently than their white counterparts, as they found in this figure a mirror for their own anxieties about tribal and national belonging. Through a series of literary readings, Rubinstein traces a shifting and unstable dynamic of imagined Indian-Jewish kinship that can easily give way to...

Published in cooperation with the Western Reserve Historical Society

Out of a small group of Jewish settlers that came to Cleveland in 1839 sprang the large, vibrant, and diverse Jewish community, numbering in excess of 81,500, that has contributed significantly to Cleveland's life. At the turn of the century, many immigrants found work in Cleveland's thriving garment industry, then second only to New York's. Others entered the building trades, and those with entrepreneural inclinations opened retail stores dedicated to serving their Jewish neighborhoods. The entry...

This landmark 1973 study of city policemen portrays in detail work "on the street,"the way police regard their work, the way they deal day-by-day with suspects and criminals, with colleague and superiors, and with the general public. Jonathan Rubinstein spent over a year with the Philadelphia police force, riding second man in patrol cars on all shifts, and from this experience he describes every aspects of a policeman's working life: his conception of the place he polices; his sense of territory; the extent of his knowledge of the people he polices; his technique for surveillance of his...

The association of Nazism with the symbol of ultimate evil- the devil- can be found in the works of Klaus and Thomas Mann, Else Lasker-Schuler, and Rolf Hochhuth. He appears either as Satan of the Judeo-Christian tradition, or as Goethe's Mephisto. The devil is not only a metaphor, but a central part of the historical analysis. Barasch-Rubinstein looks into this phenomenon and analyzes the premise that the image of the devil had a substantial impact on Germans' acceptance of Nazi ideas. His diabolic characteristics, the pact between himself and humans, and his prominent place in German...