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Marcel Duchamp's 1919 readymade, L.H.O.O.Q., which he created by drawing a moustache and goatee on a commercial reproduction of the Mona Lisa, precipitated a radical reevaluation of the meaning of art, the process of art making, and the role of the artist. In Drawing on Art, Dalia Judovitz explores the central importance of appropriation, collaboration, influence, and play in Duchamp's work--and in Dada and Surrealist art more broadly--to show how the concept of art itself became the critical fuel and springboard for questioning art's fundamental premises. Judovitz argues...

Not rediscovered until the twentieth century, the works of Georges de La Tour retain an aura of mystery. At first sight, his paintings suggest a veritable celebration of light and the visible world, but this is deceptive. The familiarity of visual experience blinds the beholder to a deeper understanding of the meanings associated with vision and the visible in the early modern period.

By exploring the representations of light, vision, and the visible in La Tour's works, this interdisciplinary study examines the nature of painting and its artistic, religious, and philosophical...

Perhaps no twentieth-century artist utilized puns and linguistic ambiguity with greater effect--and greater controversy--than Marcel Duchamp. Through a careful "unpacking" of his major works, Dalia Judovitz finds that Duchamp may well have the last laugh. She examines how he interpreted notions of mechanical reproduction in order to redefine the meaning and value of the art object, the artist, and artistic production.

Judovitz begins with Duchamp's supposed abandonment of painting and his subsequent return to material that mimics art without being readily classifiable as such. Her book...

Marcel Duchamp's 1919 readymade, L.H.O.O.Q., which he created by drawing a moustache and goatee on a commercial reproduction of the Mona Lisa, precipitated a radical reevaluation of the meaning of art, the process of art making, and the role of the artist. In Drawing on Art, Dalia Judovitz explores the central importance of appropriation, collaboration, influence, and play in Duchamp's work--and in Dada and Surrealist art more broadly--to show how the concept of art itself became the critical fuel and springboard for questioning art's fundamental premises. Judovitz argues...

Not rediscovered until the twentieth century, the works of Georges de La Tour retain an aura of mystery. At first sight, his paintings suggest a veritable celebration of light and the visible world, but this is deceptive. The familiarity of visual experience blinds the beholder to a deeper understanding of the meanings associated with vision and the visible in the early modern period.

By exploring the representations of light, vision, and the visible in La Tour's works, this interdisciplinary study examines the nature of painting and its artistic, religious, and philosophical...