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Andrew Marvell was born in 1621 and lived through the English Civil War, and the restoration of the monarchy. He was politically active in Parliament and international diplomacy to varying degrees during his lifetime, but is best known for his verse. Marvell's poetry has been more appreciated since his death in 1677, with increased favourable comparisons with contemporaries such as Doone. The political upheavals that Marvell lived through undoubtedly shaped his work and the subtleties of his literature are explored in this critique in reference to his conjectured and documented political...

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The Cult of Art in Nazi Germany presents a new interpretation of National Socialism, arguing that art in the Third Reich was not simply an instrument of the regime, but actually became a source of the racist politics upon which its ideology was founded. Through the myth of the "Aryan race," a race pronounced superior because it alone creates culture, Nazism asserted art as the sole raison d'etre of a regime defined by Hitler as the "dictatorship of genius." Michaud shows the important link between the religious nature of Nazi art and the political movement, revealing that in Nazi...

The Cult of Art in Nazi Germany presents a new interpretation of National Socialism, arguing that art in the Third Reich was not simply an instrument of the regime, but actually became a source of the racist politics upon which its ideology was founded. Through the myth of the "Aryan race," a race pronounced superior because it alone creates culture, Nazism asserted art as the sole raison d'etre of a regime defined by Hitler as the "dictatorship of genius." Michaud shows the important link between the religious nature of Nazi art and the political movement, revealing that in Nazi...