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Cyndy Hendershot argues that 1950s science fiction films open a window on the cultural paranoia that characterized 1950s America, a phenomenon largely triggered by use of nuclear weapons during World War II. This study uses psychoanalytic theory to examine the various monsters that inhabit 1950s sci-fi movies giant insects, prehistoric creatures, mutants, uncanny doubles, to name a few which serve as metaphorical embodiments of a varied and complex cultural paranoia. Postwar paranoia may have stemmed from the bomb, but it came to correlate with a wider range of issues such as anti-communism,...

Horror films provide a guide to many of the sociological fears of the Cold War era. In an age when warning audiences of impending death was the order of the day for popular nonfiction, horror films provided an area where this fear could be lived out to its ghastly conclusion. Because enemies and potential situations of fear lurked everywhere, within the home, the government, the family, and the very self, horror films could speak to the invasive fears of the cold war era. I Was a Cold War Monster examines cold war anxieties as they were reflected in British and American films from the...