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What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Richly illustrated, Chinese...

Now in paperback

This outstanding and original book, presented here with a new preface, examines the history of material culture in early modern China. Craig Clunas analyzes "superfluous things"--the paintings, calligraphy, bronzes, ceramics, carved jade, and other objects owned by the elites of Ming China--and describes contemporary attitudes to them. He informs his discussions with reference to both socio-cultural theory and current debates on eighteenth-century England concerning luxury, conspicuous consumption, and the growth of the consumer society.

Now in paperback

This outstanding and original book, presented here with a new preface, examines the history of material culture in early modern China. Craig Clunas analyzes "superfluous things"--the paintings, calligraphy, bronzes, ceramics, carved jade, and other objects owned by the elites of Ming China--and describes contemporary attitudes to them. He informs his discussions with reference to both socio-cultural theory and current debates on eighteenth-century England concerning luxury, conspicuous consumption, and the growth of the consumer society.