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The Whirr of the Image Machine is a hybrid, polyphonic narrative form in which texts and images are intercut with one another. The narratives, like the images, are the work of different authors. They are positioned next to one another such that a commentary runs back and forth between them. The stories have their origins in audio interviews with nightwatchmen from all over the world, discussions that the artist ThomasTaube made a conscious choice not to conduct himself. He sent a catalogue of questions to eight different people: nightwatchmen in Kabul, Tokyo, Yaounde, and five other...

"For some time now the cinema auditorium has given me sleepless nights," writes film-maker Clemens von Wedemeyer. "What would it be like if the walls in a multiplex cinema were to vanish and you were free to shift your gaze so that your eyes could wander over to the next screen. Or the inside became the outside and the walls of the cinema disappeared." In his installations the screen becomes not only a projection surface but also a membrane, the seam between the performance and the locations where it was shot. The film's intervention makes historical and political narratives become visible in...