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Boris Vian, faiseur de hoax : pour une démystification de l’Affaire Vernon Sullivan offre la première théorie du hoax littéraire. À travers l’exemple fil rouge de l’Affaire Vernon Sullivan (1946-1950), Clara Sitbon analyse le statut et la légitimité des auteurs pseudonymes. Boris Vian, faiseur de hoax : pour une démystification de l’Affaire Vernon Sullivan provides the first comprehensive theory of literary hoaxes. Through a detailed analysis of the Boris Vian/Vernon Sullivan case (France, 1946-1950), it studies the legitimacy of pseudonymous authors.

In Origins and Legacies of Marcel Duhamel’s Série Noire Alistair Rolls, Clara Sitbon and Marie-Laure Vuaille-Barcan counter the myths and received wisdom that are typically associated with this iconic French crime fiction series, namely: that it was born in Paris on a tide of postwar euphoria; that it initially consisted of translations of American hard-boiled classics by the likes of Dashiell Hammett and Raymond Chandler; and that the translations were rushed and rather approximate. Instead, an alternative vision of Duhamel’s translation practice is proposed, one based on a French...