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Si on pouvait rêver du vide, le rêve beckettien serait celui d’un monde sans mémoire, ni désir, un monde sans autrui – un monde évacué, sans littérature, ni mots, ni pensée. Sans lecteur. Un texte sans lecteur ou une scène sans acteurs.
L’œuvre beckettienne : une œuvre négative ?
Dans cet essai original d’inspiration psychanalytique, Ciaran Ross défend l’idée qu’il est temps de réapprendre à lire la négativité de Beckett . S’inscrivant dans une tradition psychanalytique de la relation d’objet qui va de Klein à Anzieu en passant par Winnicott et...

From Swift's repulsive shit-flinging Yahoos to Beckett's dying but never quite dead moribunds, Irish literature has long been perceived as being synonymous with subversion and all forms of subversiveness. But what constitutes a subversive text or a subversive writer in twenty-first-century Ireland? The essays in this volume set out to redefine and rethink the subversive potential of modern Irish literature. Crossing three central genres, one common denominator running through these essays whether dealing with canonical writers like Yeats, Beckett and Flann O'Brien, or lesser known...

This collection emphasizes a cross-disciplinary approach to the relevance of borders and bordering as a spatial paradigm in Anglophone studies. It sets out to provide a critical counter-narrative to the 1990s globalization argument of a “borderless” world by insisting on the significant roles borders play. The essays range in subject matter from geography, history, British and American literature to painting and Reggae music and map out different conceptualisations of the border: place, line, process, contact zones, etc. The volume’s cross-border “narrative” serves as a point of...

Using the work of W.Bion and D.Winnicott, this book offers a psychoanalytic study of Beckett's aesthetics of absence. Focusing on the first prose trilogy and Waiting for Godot, it offers a critical challenge to accepted viewpoints of Beckett's negative status, not only within psychoanalytic literary criticism, but within Beckett criticism at large.