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In 2000 in Galicia, in a maelstrom of rupture from her previous poetics, well-known poet Chus Pato gave readers a startling new book that instantly demarcated the literary landscape. This book was a reverberative crescendo, a roar and clamour of genres and fictions for the multipled "I" in a time of unspeakable catastrophes: m-Tala."

Chus Pato is the leading contemporary poet in Galicia. All of her work is written in the Galician language (Galego), but contrary perhaps to one's expectations of work written in what is a minority language, and one also long-repressed, her work is avant-garde, postmodern, and reflects the author's Marxist beliefs as well as her belief in the necessity of independence for Galicia. This is a radical poetry that, despite its remote origins and its concern with the local, can speak powerfully across borders and languages.

There was death and death entered love; writing mutated. Even so, when the poem writes itself, it is loyal only to its own wound; this is its law of gravity. Hordes of Writing, the third book in a projected pentology, "Method," is an essential book from one of the most abysmal, mutant, indispensable and rupturist contemporary European poets.