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A broad-ranging account of women's role and experience in dance which demolishes the myth that dance is a female art form by demonstrating the way in which it is dominated by male managers, choreographers and directors. While most dancers are women, for the most part they interpret male-constructed images rather than create them. This is not inevitable, however, the author argues; dance is a possible arena for feminist practice and women's liberation.

A broad-ranging account of women's role and experience in dance which demolishes the myth that dance is a female art form by demonstrating the way in which it is dominated by male managers, choreographers and directors. While most dancers are women, for the most part they interpret male-constructed images rather than create them. This is not inevitable, however, the author argues; dance is a possible arena for feminist practice and women's liberation.

British Dance, Black Routes is an outstanding collection of writings which re-reads the achievements of Black British dance artists, and places them within a broad historical, cultural and artistic context.

Until now discussion of choreography by Black dance practitioners has been dominated by the work of African-American artists, facilitated by the civil rights movement. But the work produced by Black British artists has in part been within the context of Britain s colonial legacy.

Ramsay Burt and Christy Adair bring together an array of leading...

British Dance, Black Routes is an outstanding collection of writings which re-reads the achievements of Black British dance artists, and places them within a broad historical, cultural and artistic context.

Until now discussion of choreography by Black dance practitioners has been dominated by the work of African-American artists, facilitated by the civil rights movement. But the work produced by Black British artists has in part been within the context of Britain s colonial legacy.

Ramsay Burt and Christy Adair bring together an array of leading...