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No Arthurian story is experienced without some foreknowledge of its end, which the text acknowledges through a complex range of methods. This collection takes this as its point of origin, suggesting that all such narratives concern the passing of Arthur, even indirectly, so the chapters not only look at the death of Arthur but the passing on and development of the Arthurian literature.

What happens when a prestigious text of one period is read and reused in a different, much later world? What can we learn from the annotations accumulated by a single manuscript as it moved among new institutions and readerships? In this study Christopher Baswell takes as his model Virgil's Aeneid, and the many kinds of appeal it held for the culture of the Middle Ages. He examines a series of Latin manuscripts of the text which were copied in twelfth-century England but reused and reannotated for three centuries, and shows how medieval vernacular poets used Virgil's prestige to lay their own...

What happens when a prestigious text of one period is read and reused in a different, much later world? What can we learn from the annotations accumulated by a single manuscript as it moved among new institutions and readerships? In this study Christopher Baswell takes as his model Virgil's Aeneid, and the many kinds of appeal it held for the culture of the Middle Ages. He examines a series of Latin manuscripts of the text which were copied in twelfth-century England but reused and reannotated for three centuries, and shows how medieval vernacular poets used Virgil's prestige to lay their own...