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This highly anticipated study examines the content of low and middle-brow film and fiction that was widely consumed by Britons in the turbulent decades between the wars.
Departing from a prevailing emphasis on mass culture as both escapist and largely democratic, Christine Grandy offers a fresh perspective by noting the enduring importance of class and gender divisions in narratives read and watched by the British working and middle classes. Heroes and happy endings examines an impressive number of popular films and novels, providing a comprehensive understanding of both the popular...