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African-derived religions enrich all aspects of Cuba's social, cultural, and everyday life, and encompass all ethnic and social groups. This work discusses the roles of music and dance as forms of Cuban religious expression and describes the specific instruments and symbols they employ.

Afro-Cuban religions--especially the practice of santeria, based on West African traditions--are an essential aspect of contemporary Cuban identity, Christine Ayorinde argues, and their existence has forced the current revolutionary state into bizarre and contradictory positions. Ayorinde's bold assertion confounds official pronouncements about the irrelevance of religion in a modern socialist state. The revolutionary leadership has acknowledged the centrality of Cuba's African heritage, while upholding the idea of a nationhood that transcends racial difference. Ayorinde proposes that the...