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Magisterarbeit aus dem Jahr 2002 im Fachbereich BWL - Beschaffung, Produktion, Logistik, Note: 1,0, Linkoping University (Institute of Technology), Sprache: Deutsch, Abstract: Inhaltsangabe: Abstract: Cultural industries, like the sector dedicated to the production of media content, have long been marginal in academic research, arguably because they do not fit pure concepts of the economical, the socio-political, nor the cultural. This relative neglect is in stark contrast to the omnipresence of audio-visual media services in many daily lifes, and the cultural and political significance of...

Digital technologies have transformed the way many creative works are generated, disseminated and used. They have made cultural products more accessible, challenged established business models and the copyright system, and blurred the boundary between producers and consumers. This unique resource presents an up-to-date overview of academic research on the impact of digitization in the creative sector of the economy.

Digital technologies have transformed the way many creative works are generated, disseminated and used. They have made cultural products more accessible, challenged established business models and the copyright system, and blurred the boundary between producers and consumers. This unique resource presents an up-to-date overview of academic research on the impact of digitization in the creative sector of the economy.