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Hailed as groundbreaking upon its original release, the Oscar-winning film Boys Don’t Cry offered the first mainstream access to transmasculine embodiment in North America, one that many simultaneously celebrated and rejected. More than two decades after its original release, the film has become a lightning rod for contemporary debates about the representation of trans lives and deaths on screen. Representational possibilities for trans people have changed dramatically since 1999. Morgan Page and Chase Joynt approach the accumulated tension with a spirit of curiosity about the limits of...