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Music and Modernism is a collection of essays which re-evaluates the significant connections between the disciplines of music, fine art and architecture in the period covering the emergence and flowering of modernism, c. 1849–1950. Combining established scholars in the field with those at the start of their careers, this book presents an exceptional cross-section of European and American modernism through a series of detailed case-studies.

Avoiding a simplistic engagement with cross- or inter-disciplinarity, the focus of attention centres on themes that became key to modernist artists...

John Golding: Finding the Absolute, focusing on Golding's abstract paintings from the 1960s, offers a unique opportunity to appreciate Golding at the outset of his lifelong pursuit to realize the ever-elusive promise of the absolute through abstraction. These works, most of which have not been seen for nearly half a century, are dynamic, youthful, brimming with the influences of the great exponents of abstraction - Mondrian, Malevich, Pollock, Newman - and palpably created through the artistic language of the 1960s, the decade of swinging Pop and artistic revolution. First published to...

This collection of 16 essays brings 20th-century French philosopher Henri Bergson's work on immanence together with the latest ideas in art theory and the practice of immanent art as found in painting, photography and film. It places Bergson's work and influence in a wide historical context and applies a rigorous conceptual framework to contemporary art theory and practice.