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Although the materials in this book are organized in such a way as to make them practical for classroom use, they are intended for any reader who is interested in a basic approach to the art of acting; and though the book has been written with the stage actor in mind, the methods described may be used as well by the actor in any other field. The basic approach to acting is the same for the proscenium stage, theatre-in-the-round, motion pictures, television, and radio. The differences lie in the differing technical adjustments required by these various mediums. The approach here presented is...

2014 Reprint of 1955 First Edition. Full facsimile of the original edition. Not reproduced with Optical Recognition Software. This teacher-author's method of suggesting exercises and projects for the actor provides a definite and practical procedure of working. His use of examples from fine plays illustrates his convictions, and the quotations from many talented theatre workers reinforce and illuminate in a helpful way his theme. Before publication of this book, the only available exposition of the Stanislavski method was Stanislavski's own-admittedly complex and often diffuse in its...

Acting is Believing has remained one of the classic acting texts that continues to set the standard in the field, using the Stanislavski method to teach students the fundamentals of acting for stage or screen-now updated for the 21st century student and actor.

Acting is Believing has remained one of the classic acting texts that continues to set the standard in the field, using the Stanislavski method to teach students the fundamentals of acting for stage or screen-now updated for the 21st century student and actor.