Wyniki wyszukiwania:

In 1967, Charlie Chaplin told, "I think I like "City Lights" the best of all my films." Based on archival research of Chaplin's production records, this work offers a history of the film's production and reception, as well as an examination of the film itself, with special attention to the sources of the final scene's emotional power.

Charles Maland focuses on the cultural sources of the on-and-off, love-hate affair between Chaplin and the American public that was perhaps the stormiest in American stardom.