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Using Non-Textual Sources provides history students with the theoretical background and skills to interpret non-textual sources. It introduces the full range of non-textual sources used by historians and offers practical guidance on how to interpret them and incorporate them into essays and dissertations. In addition to this, the book posits a theoretical framework that justifies the use of these items as historical sources and explains how they can be used to further understand the past.

There is coverage of the creation, production and distribution of non-textual sources;...

A succinct yet comprehensive introduction to the history of the Atlantic world in its entirety. The book explores discrete themes such as conquest, trade and race in an holistic Atlantic context, and provides a thorough overview of key and cutting edge scholarship in the field for an undergraduate audience.

Using Non-Textual Sources provides history students with the theoretical background and skills to interpret non-textual sources. It introduces the full range of non-textual sources used by historians and offers practical guidance on how to interpret them and incorporate them into essays and dissertations. In addition to this, the book posits a theoretical framework that justifies the use of these items as historical sources and explains how they can be used to further understand the past.

There is coverage of the creation, production and distribution of non-textual sources;...

A succinct yet comprehensive introduction to the history of the Atlantic world in its entirety. The book explores discrete themes such as conquest, trade and race in an holistic Atlantic context, and provides a thorough overview of key and cutting edge scholarship in the field for an undergraduate audience.

Travelling into some distant, challenging and at times dangerous regions of the world during episodes of political unrest, these autobiographical memoirs from diaries written at the time follow the author's role in the process of preparing and supporting the population of several countries on the eve of their formation of independence.

The details of the conditions and worries of the local population during the period of Military Occupation and Administration in Eritrea are fascinating, as is the author and her husband's adaptation to this new way...

More than thirty years after the birth of the modern women's movement and the beginnings of feminist art-making and art history, the time is ripe to examine the legacies of those revolutions. In Women Artists at the Millennium, artists, art historians, and critics examine the differences that feminist art practice and critical theory have made in late twentieth-century art and the discourses surrounding it.In 1971, when Linda Nochlin published her essay "Why Have There Been No Great Women Artists?" in a special issue of Art News, there were no women's studies, no feminist theory, no such...