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H. D and the Victorian Fin de Siecle argues foremost that H. D. eluded the male modernist flight from Romantic 'effeminacy'.

Bringing together scholars from a wide range of critical approaches, this collection studies T.S. Eliot's engagement with desire, homoeroticism and feminism in his poetry, prose and drama. In particular, it illuminates the influence of Eliot's poet mother; the dynamic of homosexuality in his work; his poetic identification with passive desire; and his reception by female academics from the early twentieth century to the present. The book will be essential reading for students of Eliot and Modernism, as well as of queer theory and gender studies.

H.D. and the Victorian Fin de Siecle argues that the twentieth-century American woman poet H.D. shaped an alternative poetic modernism of female desire from the "feminine" personae, images and forms of Decadent Romanticism that male modernists such as T.S. Eliot, Ezra Pound, and W.B. Yeats denounced as "effeminate." The book is the first examination of female modernism to demonstrate extensively the impact of the Decadents and their fluid poetics of androgyny, homoeroticism and role reversal on a modernist woman writer.

Bringing together scholars from a wide range of critical approaches, this collection studies T.S. Eliot's engagement with desire, homoeroticism and feminism in his poetry, prose and drama. In particular, it illuminates the influence of Eliot's poet mother; the dynamic of homosexuality in his work; his poetic identification with passive desire; and his reception by female academics from the early twentieth century to the present. The book will be essential reading for students of Eliot and Modernism, as well as of queer theory and gender studies.