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Ever since Norman Lear remade the BBC series Till Death Us Do Part into All in the Family, American remakes of British television shows have become part of the American cultural fabric. Indeed, some of the programs currently said to exemplify American tastes and attitudes, from reality programs like American Idol and What Not to Wear to the mock-documentary approach of The Office, are adaptations of successful British shows. Carlen Lavigne and Heather Marcovitch's American Remakes of British Television: Transformations and Mistranslations is a multidisciplinary collection of essays that...

"Chapters cover topics such as globalization, virtual reality, cyborg culture, environmentalism, religion, motherhood and queer rights. Interviews with feminist cyberpunk authors are provided, revealing their motivations for writing and their experiences with fans. The study treats feminist cyberpunk as a vehicle for examining contemporary women's issues and analyzes feminist science fiction as a source of political ideas"--Provided by publisher.

Remakes are pervasive in today s popular culture, whether they take the form of reboots, re-imaginings, or overly familiar sequels. Television remakes have proven popular with producers and networks interested in building on the nostalgic capital of past successes (or giving a second chance to underused properties). Some TV remakes have been critical and commercial hits, and others haven t made it past the pilot stage; all have provided valuable material ripe for academic analysis. In Remake Television: Reboot, Re-use, Recycle, edited by Carlen Lavigne, contributors from a variety of...