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From iPhones and clothing to jewelry and food, the products those of us in the developed world consume and enjoy exist only through the labor and suffering of countless others. In his new book Bruce Robbins examines the implications of this dynamic for humanitarianism and social justice. He locates the figure of the -beneficiary- in the history of humanitarian thought, which asks the prosperous to help the poor without requiring them to recognize their causal role in the creation of the abhorrent conditions they seek to remedy. Tracing how the beneficiary has manifested itself in the work of...

A work of innovative literary and cultural history, The Servant's Hand examines the representation of servants in nineteenth-century British fiction. Wandering in the margins of these texts that are not about them, servants are visible only as anachronistic appendages to their masters and as functions of traditional narrative form. Yet their persistence, Robbins argues, signals more than the absence of the ordinary people they are taken to represent. Robbins's argument offers a new and distinctive approach to the literary analysis of class, while it also bodies forth a revisionist...

Is global culture merely a pale and sinister reflection of capitalist globalization? Bruce Robbins responds to this and other questions in Feeling Global, a crucial document on nationalism, culturalism, and the role of intellectuals in the age of globalization.

Building on his previous work, Robbins here takes up the question of the status of international human rights. Robbins' conception of internationalism is driven not only by the imperatives of global human rights policy, but by an understanding of transnational cultures, thus linking practical policymaking to cultural...

We think we know what upward mobility stories are about--virtuous striving justly rewarded, or unprincipled social climbing regrettably unpunished. Either way, these stories seem obviously concerned with the self-making of self-reliant individuals rather than with any collective interest. In Upward Mobility and the Common Good, Bruce Robbins completely overturns these assumptions to expose a hidden tradition of erotic social interdependence at the heart of the literary canon.

Reinterpreting novels by figures such as Balzac, Stendhal, Charlotte Bronte, Dickens, Dreiser,...

From iPhones and clothing to jewelry and food, the products those of us in the developed world consume and enjoy exist only through the labor and suffering of countless others. In his new book Bruce Robbins examines the implications of this dynamic for humanitarianism and social justice. He locates the figure of the -beneficiary- in the history of humanitarian thought, which asks the prosperous to help the poor without requiring them to recognize their causal role in the creation of the abhorrent conditions they seek to remedy. Tracing how the beneficiary has manifested itself in the work of...

A work of innovative literary and cultural history, "The Servant's Hand" examines the representation of servants in nineteenth-century British fiction. Wandering in the margins of these texts that are not about them, servants are visible only as anachronistic appendages to their masters and as functions of traditional narrative form. Yet their persistence, Robbins argues, signals more than the absence of the "ordinary people" they are taken to represent. Robbins's argument offers a new and distinctive approach to the literary analysis of class, while it also bodies forth a revisionist...

We think we know what upward mobility stories are about--virtuous striving justly rewarded, or unprincipled social climbing regrettably unpunished. Either way, these stories seem obviously concerned with the self-making of self-reliant individuals rather than with any collective interest. In Upward Mobility and the Common Good, Bruce Robbins completely overturns these assumptions to expose a hidden tradition of erotic social interdependence at the heart of the literary canon.

Reinterpreting novels by figures such as Balzac, Stendhal, Charlotte Bronte, Dickens, Dreiser,...

Is global culture merely a pale and sinister reflection of capitalist globalization? Bruce Robbins responds to this and other questions in Feeling Global, a crucial document on nationalism, culturalism, and the role of intellectuals in the age of globalization.

Building on his previous work, Robbins here takes up the question of the status of international human rights. Robbins' conception of internationalism is driven not only by the imperatives of global human rights policy, but by an understanding of transnational cultures, thus linking practical policy making to...

For two decades Bruce Robbins has been a theorist of and participant in the movement for a "new cosmopolitanism," an appreciation of the varieties of multiple belonging that emerge as peoples and cultures interact. In Perpetual War he takes stock of this movement, rethinking his own commitment and reflecting on the responsibilities of American intellectuals today. In this era of seemingly endless U.S. warfare, Robbins contends that the declining economic and political hegemony of the United States will tempt it into blaming other nations for its problems and lashing out against...

For two decades Bruce Robbins has been a theorist of and participant in the movement for a "new cosmopolitanism," an appreciation of the varieties of multiple belonging that emerge as peoples and cultures interact. In "Perpetual War" he takes stock of this movement, rethinking his own commitment and reflecting on the responsibilities of American intellectuals today. In this era of seemingly endless U.S. warfare, Robbins contends that the declining economic and political hegemony of the United States will tempt it into blaming other nations for its problems and lashing out against...

This is the engaging rags-to-riches autobiography of a young boy, Earl Robbins, the youngest of five children, son of a retired opera singer and poor silk weaver from the small working class of the New York City suburban town of Wood-Ridge, New Jersey. In a vivid recreation of life on the streets of the NYC area during most of the 1900's you accompany this young and talented man through The Great Depression, two World Wars, and three wives as he ultimately succeeded in achieving his goal of building an empire, living his dream. Explore his life through 93 exciting years.

World Bank literature is more than a concept -- it is a provocation, a call to arms. It is intended to prompt questions about each word, to probe globalization, political economy, and the role of literary and cultural studies. As asserted in this major work, it signals a radical rewriting of academic debates, a rigorous analysis of the World Bank and the International Monetary Fund (IMF), and a consideration of literature that deals with new global realities.

Made more relevant than ever by momentous antiglobalization demonstrations in Seattle and Genoa, World Bank Literature brings...

An indispensable collection that re-examines what it means to belong in the world.

-Where are you from?- The word cosmopolitan was first used as a way of evading exactly this question, when Diogenes the Cynic declared himself a -kosmo-polites, - or citizen of the world. Cosmopolitanism displays two impulses--on the one hand, a detachment from one's place of origin, while on the other, an assertion of membership in some larger, more compelling collective.

Cosmopolitanisms works from the premise that there is more than one kind of...

An indispensable collection that re-examines what it means to belong in the world.

-Where are you from?- The word cosmopolitan was first used as a way of evading exactly this question, when Diogenes the Cynic declared himself a -kosmo-polites, - or citizen of the world. Cosmopolitanism displays two impulses--on the one hand, a detachment from one's place of origin, while on the other, an assertion of membership in some larger, more compelling collective.

Cosmopolitanisms works from the premise that there is more than one kind of...