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What is more important in architectural works--their form, shape, and color, or the meanings and symbolism that can be associated with them? Can aesthetic judgments of architecture be independent of the stories one can tell about buildings? Do non-architects perceive buildings in the same way as do architects?

For the greater part of the twentieth century it was common to respond to these and similar questions by relying on psychological theories asserting there is no innocent eye, that we think only in language, and that human visuality results from preexisting, conceptual...

In Rage and Denials, philosopher and architectural historian Branko Mitrovic examines in detail the historiography of art and architecture in the twentieth century, with a focus on the debate between the understanding of society as a set of individuals and the understanding of individuals as mere manifestations of the collectives to which they belong. The conflict between these two views constitutes a core methodological problem of the philosophy of history and was intensely debated by twentieth-century art historians--one of the few art-historical debates with a wide range of...

What is more important in architectural works--their form, shape, and color, or the meanings and symbolism that can be associated with them? Can aesthetic judgments of architecture be independent of the stories one can tell about buildings? Do non-architects perceive buildings in the same way as do architects?

For the greater part of the twentieth century it was common to respond to these and similar questions by relying on psychological theories asserting there is no innocent eye, that we think only in language, and that human visuality results from preexisting, conceptual...