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The end of the Soviet period, the vast expansion in the power and influence of capital, and recent developments in social and aesthetic theory, have made the work of Hungarian Marxist philosopher and social critic Georg Lukacs more vital than ever.

The very innovations in literary method that, during the 80s and 90s, marginalized him in the West have now made possible new readings of Lukacs, less in thrall to the positions taken by Lukacs himself on political and aesthetic matters. What these developments amount to, this book argues, is an opportunity to liberate Lukacs's thought...

In a postcolonial world, where structures of power, hierarchy, and domination operate on a global scale, writers face an ethical and aesthetic dilemma: How to write without contributing to the inscription of inequality? How to process the colonial past without reverting to a pathology of self-disgust? Can literature ever be free of the shame of the postcolonial epoch--ever be truly postcolonial? As disparities of power seem only to be increasing, such questions are more urgent than ever. In this book, Timothy Bewes argues that shame is a dominant temperament in twentieth-century...