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History: What and Why? is a highly accessible introductory survey of historians' views about the nature and purpose of their subject. It offers a historical perspective and clear guide to contemporary debates about the nature and purpose of history, and a discussion of the traditional model of history as an account of the past 'as it was'. It assesses the challenges to orthodox views and examines the impact of Marxism, feminism and post-colonialism on the study of history.

This second edition has been updated to reflect the continuing, and still increasing, debate...

An experienced author of history and theory presents this examination of the purpose of history at a time when recent debates have rendered the question 'what is history for?' of utmost importance.
Charting the development of historical studies and examining how history has been used, this study is exceptional in its focus on the future of the subject as well as its past. It is argued that history in the twenty-first century must adopt a radical and morally therapeutic role instead of studying for 'its own sake'.
Providing examples of his vision of 'history in post-modernity',...

Linking fiction with history and historical theory, 'A New Type of History': Fictional Proposals for dealing with the Past focuses on a selection of nineteenth- and twentieth-century novelists - Tolstoy, Proust, John Cowper Powys, Virginia Woolf, Wyndham Lewis, Penelope Lively, and James Hamilton-Paterson - who have criticized scientifically based history and proposed alternative ways of approaching the past: more subjective and personal, colourful and imaginative, and above all ethically orientated. In this, it is argued, they have been reverting to an earlier rhetorical model for...

Is history factual, or just another form of fiction?

Are there distinct boundaries between the two, or just extensive borderlands?

How do novelists represent historians and history?

The relationship between history and fiction has always been contentious and sometimes turbulent, not least because the two have traditionally been seen as mutually exclusive opposites.

However, new hybrid forms of writing from historical fiction to docudramas to fictionalised biographies have led to the blurring of boundaries, and given rise to the claim that history itself is just another form of...