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On December 1, 1959, in Chicago, a small band of classically trained actors, directors, and musicians came together to create what became and remains a legendary home of comedy: The Second City. Very quickly it achieved a national and international reputation as a center for comedic performance. It served as the training ground for hundreds of important writers, actors, and directors: Bill Murray, John Belushi, Alan Arkin, Mike Nichols and Elaine May, John Candy, Martin Short, Harold Ramis, George Wendt, Mike Myers, Gilda Radner the list goes on and on. Now Bernard Sahlins, a founder and the...

By far Strindberg's most aggressive work, The Father is a feverish nightmare of the struggle he saw between defiant masculinity and the "treacherous weakness" of woman. Mr. Brustein's adaptation takes account of modern feminist sensibilities without diminishing the play's relentless power and furious conclusion.

A consummate farce in which a middle-aged man arranges a rendezvous in a seedy little hotel with the beautiful young wife of his best friend.

Sensual gaiety is at the heart of this comic masterpiece which continues the merry tale of the little barber of Seville, a clever common man whose wits overcome his superiors who would suppress him. In paring down the number of players, presenting the scenes more economically, and offering a translation that removes archaic phrasing, Mr. Sahlins delivers a script that can be comfortably staged by present-day theatres.

Moliere's beloved comedy features a rising member of the middle class who lusts for social status and higher learning. The strength of the play lies in its rich comic invention and its sure delineation of character. Its underlying themes of social striving, financial greed, and love's ingenuity still resonate. Bernard Sahlins's new adaptation is wonderfully playable."