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Milan Kundera on Marek Bienczyk's "Transparency" "The subject of transparency has always interested me; in "The Art of the Novel" I discussed it as one of the key words in my personal lexicon. Marek Bienczyk is right to give it an entire book of its own: transparency remains one of the foundational concepts of today's social imaginary, and its role never ceases to grow. These lovely pages, in which the essay brushes up against fiction, offer us more than an historical and philosophical study, but a truly existential, and thus novelistic, investigation of transparency. It's a delight."...

In Tworki, a village just southwest of Warsaw, there is a psychiatric hospital and in that hospital, the patients and their caretakers are hidden from the war just outside their iron gates. Our hero, Jurek, answers an ad in the paper for a job there and finds himself keeping the books alongside a knockout strawberry blonde named Sonia. They and their group of friends vital young people like Marcel, an initial rival for Jurek; Olek, Sonia s chosen love; and Janka, with whom Jurek becomes involved do their jobs, picnic on the weekends, and dance in the gardens on the grounds of the...

[W]e may regard this as the Polish version of Art Spiegelman’s Maus—in its form, an excellent and utterly unexpected version. Such a comparison is not about imitation, nor about formal similarity, but about something essential for both authors: the child-artist’s struggle with the historical experience represented by the parent. A struggle for one’s own identity, for the right to one’s own life, for a way out of the mausoleum of the Holocaust. A struggle played out in the arena of art.

—Przemysław Czapliński...