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Arguably the most famous and critically acclaimed Canadian filmmaker, David Cronenberg is celebrated equally for his early genre films, like Scanners (1981) and The Fly (1986), and his dark artistic vision in films such as Dead Ringers (1988) and Crash (1996). The 2005 film A History of Violence was a mainstream success that marked Cronenberg's return to the commercial fold of Hollywood after years of independent art house filmmaking. His international reputation grew and the film was honoured with numerous awards and two Oscar nominations (for...

The contributors to this third volume of How Canadians Communicate focus on the question "What does Canadian popular culture have to say about the construciton and negotiation of Canadian national identity?" They show how popular culture is negotiated across the different terrains where a sense of national identity is built, by producers and audiences, government and industry, history and geography, ethnicities, and citizenships. Canada does indeed have a popular culture distinct from other nations, and these contributors are out to prove it.

Arguably the most famous and critically acclaimed Canadian filmmaker, David Cronenberg is celebrated equally for his early genre films, like Scanners (1981) and The Fly (1986), and his dark artistic vision in films such as Dead Ringers (1988) and Crash (1996). The 2005 film A History of Violence was a mainstream success that marked Cronenberg's return to the commercial fold of Hollywood after years of independent art house filmmaking. His international reputation grew and the film was honoured with numerous awards and two Oscar nominations (for...

On the surface, the relationship between comics and the 'high' arts once seemed simple; comic books and strips could be mined for inspiration, but were not themselves considered legitimate art objects. Though this traditional distinction has begun to erode, the worlds of comics and art continue to occupy vastly different social spaces.

Comics Versus Art examines the relationship between comics and the most important institutions of the art world, including museums, auction houses, and the art press. Bart Beaty's analysis centres around two questions: why were comics excluded...

Too often remembered solely as the psychiatrist and cultural critic whose testimony in Senate subcommittees sparked the creation of the Comics Code, Fredric Wertham was a far more complex man. Author Bart Beaty traces the evolution of Wertham's attitudes toward popular culture and reassesses his place in the debate about pop culture's effects on youth and society.

When The Seduction of the Innocent was published in 1954, Wertham (1895-1981) became instantly known as an authority on child psychology. Although he had published several books before Seduction, its sharp...

In the last fifteen years or so, a wide community of artists working in a variety of western European nations have overturned the dominant traditions of comic book publishing as it has existed since the end of the Second World War. These artists reject both the traditional form and content of comic books (hardcover, full-colour 'albums' of humour or adventure stories, generally geared towards children), seeking instead to instil the medium with experimental and avant-garde tendencies commonly associated with the visual arts. Unpopular Culture addresses the transformation of the...

This edition of Thierry Groensteen's The System of Comics makes available in English a groundbreaking work on comics by one of the medium's foremost scholars. In this book, originally published in France in 1999, Groensteen explains clearly the subtle, complex workings of the medium and its unique way of combining visual, verbal, spatial, and chronological expressions. The author explores the nineteenth-century pioneer Rodolphe Topffer, contemporary Japanese creators, George Herriman's Krazy Kat, and modern American autobiographical comics.

The System of Comics uses...

Originally published in France and long sought in English translation, Jean-Paul Gabilliet's Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form. A thorough introduction by translators and comics scholars Bart Beaty and Nick Nguyen brings the book up to date with explorations...