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Every Day But Tuesday is a book of lyric experiments amassed from a space beyond ordinary time, where -this is tomorrow and the sun- stands, reverberating both as precursor and postscript to the apocalypse. The extraordinary world of these poems, coming from the sea, forests, islands, mountains, and rivers, form an utterly new logic of sound patterning and metric sense-making, colliding a series of gorgeous associations with a suite of prepositions forever reconfiguring.

The Feminine Sublime provides a new and startling insight into the modes and devices employed in the creation of women's fiction since the eighteenth century. Barbara Claire Freeman argues that traditional theorizations of the sublime depend upon unexamined assumptions about femininity and sexual difference, and that the sublime could not exist without misogynistic constructions of "the feminine." Taking this as her starting point, Freeman suggests that the "other sublime" that comes into view from this new perspective not only offers a crucial way to approach representations of excess...