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This book argues that contemporary world literature is defined by peripheral internationalism. Over the twentieth and twenty-first centuries, a range of aesthetic forms beyond the metropolitan West - fiction, memoir, cinema, theater - came to resist cultural nationalism and promote the struggles of subaltern groups. Peripheral internationalism pitted intellectuals and writers not only against the ex-imperial West, but also against their burgeoning national elites. In a sense, these writers marginalized the West and placed the non-Western peripheries in a new center. Through a grounded yet...