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First published in 1977, this book provides a clear and well-illustrated analysis of modern verse drama. It studies the work of its chief exponents, T. S. Eliot and Christopher Fry, as well as the genre’s place in the development of modern theatre. It particular focuses on the effect that verse drama has had on an audience’s awareness of language in the theatre, paving the way for dramatists like Pinter, Beckett and Wesker.

This book will be of particular interest to those studying modern poetry and drama.

First published in 1969, provides a helpful introduction to the study of Absurdist writing and drama in the first half of the twentieth century. After discussing a variety of definitions of the Absurd, it goes on to examine a number of key figures in the movement such as Esslin, Sartre, Camus, Ionesco and Genet. The book concludes with a discussion of the limitations of the term Absurd and possible objections to Absurdity.

This book will be of interest to those studying Absurdist literature as well as twentieth century drama, literature and philosophy. "