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This book is the product of a unique collaboration between the Israeli artist and philosopher Aim Deuelle Luski and Ariella Azoulay. In their long-standing working relationship, they research how to theorize the structure of the contemporary scopic regime and to open a space for its civil transformation. On this occasion, Azoulay interprets a unique series of cameras built by Deuelle Luski, along with photographs taken by these cameras. Unlike conventional, vertical photography, Deuelle Luski's cameras seek to generate new sets of relations between the camera and the world.

Azoulay s...

This is a book about the public display of death in contemporary culture. It consists of a series of essays on specific cases in which death is displayed in museums and in photography. The essays focus mainly on representations of violence and death in events in recent Israeli history, including the assassination of Yitzhak Rabin and the Palestinian Intifada, and on the...

Since the start of the occupation of Palestinian territories in 1967, Israel's domination of the Palestinians has deprived an entire population of any political status or protection. But even decades on, most people speak of this rule--both in everyday political discussion and in legal and academic debates--as temporary, as a state of affairs incidental and external to the Israeli regime. In The One-State Condition, Ariella Azoulay and Adi Ophir directly challenge this belief.

Looking closely at the history and contemporary formation of the ruling apparatus--the technologies...

In this carefully curated and beautifully presented photobook, Ariella Azoulay offers a new perspective on four crucial years in the history of Palestine/Israel.

The book reconstructs the processes by which the Palestinian majority in Mandatory Palestine became a minority in Israel, while the Jewish minority established a new political entity in which it became a majority ruling a minority Palestinian population. By reading over 200 photographs from that period, most of which were previously confined to Israeli state archives, Azoulay recounts the events and the stories that for years...

In this compelling work, Ariella Azoulay reconsiders the political and ethical status of photography. Describing the power relations that sustain and make possible photographic meanings, Azoulay argues that anyone -- even a stateless person -- who addresses others through photographs or is addressed by photographs can become a member of the citizenry of photography. The civil contract of photography enables anyone to pursue political agency and resistance through photography. Photography, Azoulay insists, cannot be understood separately from the many catastrophes of recent history. The...