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Stage or film presentations of Look Back in Anger, A Taste of Honey, Saturday Night and Sunday Morning, Alfie, and Darling were much changed, even transformed, by censorship between 1955-1965. Indeed, censorship altered the progression of the artistic and creative renaissance of the period, and John Osborne, Shelagh Delaney, Alan Sillitoe, Tony Richardson, Lindsay Anderson, and John Schlesinger are just a few of the people who were forced to change their work.
Censorship and the Permissive Society explores the predicament writers and directors faced, and highlights the debate over the...

This is a revised and expanded edition of the classic book on film history. The authors examine how aspects of British society are reflected in and shaped by cinema. Films studied include, among others, Sanders of the River, A Canterbury Tale, The Life and Death of Colonel Blimp, The Guinea Pig, The Blue Lamp, The Ladykillers, I'm All Right Jack, The Loneliness of the Long Distance Runner, If . . ., and Scandal.

The first comparative study of censorship in theatre and cinema during the last century, this book examines notable twentieth-century cases involving the Lord Chamberlain's theatre censorship and the British Board of Film Censors (BBFC). Anthony Aldgate and James C. Robertson have written extensively on the subject of stage and screen censorship, and here they utilise previously unpublished Lord Chamberlain's censorship sources as well as hitherto unexplored BBFC files. They show how the two censorship agencies operated, with some interaction between them, over such controversial matters as...

Key media reference points of the 1960s, including The Avengers, This Sporting Life, Panorama, The Apartment and Sgt. Pepper's Lonely Hearts Club Band, are the focus of this book. Each chapter addresses common issues of contexts of production and reception, of genre, style and aesthetics and the book as a whole draws together the impressions of the era given by these windows on the sixties.