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The Scruffy Scoundrels by Annibal Caro offers the student, scholar, and general reader a sixteenth-century masterpiece in modern English translation.

From one vantage point, The Scruffy Scoundrels would appear to be no more than a series of unrelated scenes and sketches grouped around a highly conventionalized and loosely structured love plot: the arrival of Pilucca and Tindaro in Rome abounding in topical references; the appearance of the two ragged brothers so arbitrarily related to the rest of the events of the play; the love squabble between two servants...

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Annibal Caro wrote The Scruffy Scoundrels (Gli Straccioni) in Rome in early 1543 for his patron Pierluigi Farnese, the eldest son of Pope Paul III. The actual performance of the play was delayed, then ultimately canceled after the death of its patron. Caro denied numerous requests for permission to stage the play and even to have it copied. First published in 1582 in an edition full of errors and lacunae due to censorship, it was not until 1942 that the work was finally edited based on the original manuscript (Vaticano Urbinate 764).

In his...

Annibal Caro wrote The Scruffy Scoundrels (Gli Straccioni) in Rome in early 1543 for his patron Pierluigi Farnese, the eldest son of Pope Paul III. The actual performance of the play was delayed, then ultimately canceled after the death of its patron. Caro denied numerous requests for permission to stage the play and even to have it copied. First published in 1582 in an edition full of errors and lacunae due to censorship, it was not until 1942 that the work was finally edited based on the original manuscript (Vaticano Urbinate 764).

In his...