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Scholarly understanding of the Victorian literary field has changed dramatically in the past thirty years, due in large part to the extensive recovery of sensation fiction and a corresponding recognition of that genre's importance in the literary debates, trends, and wider cultural practices of the period. Yet until very recently, work on sensationalism has focused on a narrow range of authors and works, with Wilkie Collins, Mary Elizabeth Braddon, and Ellen Wood retaining the preponderance of critical attention. This collection examines the fiction of women sensation writers who were...

First published in 1864, Henry Dunbar includes all the classic ingredients of a sensation novel, including murder, fraud, mistaken identity, and a train accident. This modern edition features a critical introduction, suggestions for further reading, explanatory footnotes, and additional contextual material.