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A study of the music and ritual at Saint-Denis from the sixth to the sixteenth century, this book is based on an examination of the liturgical books and archival sources relating to the abbey, in particular the surviving service-books, which tell us much about the history of the music and of the Divine Office at Saint-Denis. Robertson also looks at the tropes and sequences proper to the office for Saint Denis, provides information on the performance practices, instruments, musicians, and liturgists from the abbey, and offers an account of the history of the liturgy from the Council of Torus...

Guillaume de Machaut, fourteenth-century French composer and poet, wrote the first polyphonic Mass and many other important musical works. Friend of royalty, prelates, noted poets, and musicians, Machaut was a cosmopolitan presence in late medieval Europe. He also served as canon of the cathedral of Reims, the coronation site of French kings. From this penetrating study of his music, Machaut emerges as a composer deeply involved in the great crises of his day, one who skillfully and artfully expressed profound themes of human existence in ardent music and poetry.