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Despite its large and growing popularityto say nothing of its near-ubiquity in the world s art scenes and international exhibitions of contemporary artinstallation art remains a form whose artistic vocabulary and conceptual basis have rarely been subjected to thorough critical examination.
With this book, Anne Ring Petersen aims to change that. She begins by exploring how installation art developed into an interdisciplinary genre in the 1960s, and how its intertwining of the visual and the performative has acted as a catalyst for the generation of new artistic phenomena. She goes on to...

This book addresses a topic of increasing importance to artists, art historians and scholars of cultural studies, migration studies and international relations: migration as a profoundly transforming force that has remodelled artistic and art institutional practices across the world. It explores contemporary art's critical engagement with migration