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Restoring a gifted art photographer to his place in the American canon and, in the process, reshaping and expanding our understanding of early 20th-century American photography

Clarence H. White (1871-1925) was one of the most influential art photographers and teachers of the early 20th century and a founding member of the Photo-Secession. This beautiful publication offers a new appraisal of White's contributions, including his groundbreaking aesthetic experiments, his commitment to the ideals of American socialism, and his embrace of the expanding fields of photographic...

The essays in More than One examine sequentiality and serialism in the practice of photography from the medium's earliest years to the present. Contributors explore nuances of syntax and sense raised by works like photographic albums, books, thematic portfolios, journalistic photo features, and documentations of performance art.

Fully illustrated essays discuss, among other topics, the little-known volume Beyond This Point (1929), a collaborative experiment by American photographer Francis Bruguiere and London radio producer Lance Sieveking; the evolving relationship...