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Traditionally, romance novels have a reputation as being no more than trashy, sex-filled fantasy escapes for frustrated housewives. But books in this genre account for nearly half of the paperbacks published. Contributors examine the patterns used by the romance authors to tell their stories.

Courtesan and criminal, thief and trollop, warrior and wanderer the picara embodies the continuing archetypal pattern of a woman s autonomy. She is the sly sharpster in Defoe s heroines such as Roxana and Moll Flanders. With an ancestress like Becky Sharp, the picara evolves into Scarlett O Hara before finding a comfortable niche as the female hero in fantasy written by women. The Picara traces the development of this character, from an autonomous woman in a harsh patriarchal society to the female hero of the modern fantasy novel.
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Detective, monk, father, herbalist, Crusader, sailor, Celt, friend-author Ellis Peters bestows all these attributes on her twelfth-century Benedictine monk-detective Brother Cadfael. As a detective, Cadfael uses his analytic mind to solve crimes and administer justice. As a man of God, he also dispenses mercy along with his famous cordials.
Why, essays ask, is a cloistered monk solving murders? How can an author combine a valid detective and an effective healer?