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Once hailed as a radical breakthrough in documentary and ethnographic filmmaking, observational cinema has been criticized for a supposedly detached camera that objectifies and dehumanizes the subjects of its gaze. Anna Grimshaw and Amanda Ravetz provide the first critical history and in-depth appraisal of this movement, examining key works, filmmakers, and theorists, from Andre Bazin and the Italian neorealists, to American documentary films of the 1960s, to extended discussions of the ethnographic films of Herb Di Gioia, David Hancock, and David MacDougall. They make a new case for the...

The idea for this volume emerged from critical self-reflection about diverse archaeological practices in a session presented at the 13th European Association of Archaeologists Annual Meeting (Zadar, Croatia, 2007), in particular the conflicting relationship between the ‘mainstream’ and the ‘alternative’. The field of so-called ‘fringe’ or ‘alternative’ archaeology is vast and multifaceted, ranging from pseudoarchaeology, ‘bad’ archaeology practices, conspiracy theories and claims about lost civilizations to extraterrestrial...