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London Writing in the 1930s offers a new perspective on the decade that has long been associated with the Auden generation and the rise of documentary. It argues for the centrality of urban fiction and photography to the decade's experiments in representing daily life. Why the period's London-set novels were so often described as 'photographic', and what kind of photographs inspired such comparisons? Tracing representations of London by a wide range of 1930s writers and photographers, including Patrick Hamilton, Jean Rhys, George Orwell, and Bill Brandt, the book's chapters are...

These original and traditional oral stories are really by the people and for the people. If a civilisation expresses itself through its various art forms, then stories are the voice of those who have handed down their understanding of life from age to age. Traditional stories were a wonderful way of binding communities together and it is a nation's loss if it no longer values the wisdom of the past. We should remember the Sankofa who bids us look to the past to guide us into our future.

London Writing in the 1930s offers a new perspective on the decade that has long been associated with the Auden generation and the rise of documentary.

Recorded on location in the Volta Region in Ghana in 2006-07, these stories are the result of collaboration between Anna Cottrell and Agbotadua Togbi Kumassah. Agbotadua Togbi Kumassah translated the Ewe stories into English and Anna Cottrell has retold them in contemporary English for the wider European market. This edition presents the 24 stories in their original form for the Ghanian market.